The colors represent that component that immediately strikes those who watch a video, suggesting, more or less implicitly, a well-defined message.
When I work on color, I take care of the appearance of the color at 360 degrees, supporting the customer from the pre-production stages up to the final master.

The color provides a pre-production phase, with the design of the look of the color itself and with the choice of color palette.
Then, during the post-production, we work on the color correction, correcting the imperfections that an image may present, and on the color grading itself, which gives the artistic touch in the strictest sense.